![project echoes of the end project echoes of the end](https://mir-s3-cdn-cf.behance.net/project_modules/disp/2fcd1943993595.56076276b0c62.jpg)
"Wayfarers All," the most explicitly Romantic chapter of the novel, describes the Water Rat's restlessness, catalyzed by his encounter with the spellbinding Sea Rat.
![project echoes of the end project echoes of the end](https://echoesofimperium.files.wordpress.com/2019/08/img_2942.jpg)
And finally, the echoes distinguish Grahame's transcendental vision from that of his predecessors.
![project echoes of the end project echoes of the end](https://swtorista.com/articles/wp-content/uploads/2020/12/swtor-mails-echoes-of-oblivion-1536x864.jpg)
Descriptive echoes call attention, by contrast, to Grahame's claim to realism and his humorous narrative tone. The most striking among them reinforce parallels between Grahame's plot and the master plots he found in Wordsworth and Coleridge. These subtle allusions serve several functions. Thanks to all the contributors who shared memories for the project story and to Tim Gladdis Photography – – for historic East End photographs.The retrospective hymns to natural beauty in "Wayfarers All," chapter 9 of The Wind in the Willows, bear tribute not only to departing summer but to Grahame's Romantic predecessors: Keats, Coleridge, and Wordsworth, themselves "by distance ruralized." With surprisingly few explicit verbal echoes, Grahame nonetheless manages to call up for readers familiar with the Romantics-as his Victorian audience certainly was-some central poems of the canon: "To Autumn," "Ode to a Nightingale," "The Ancient Mariner," and The Prelude. Listening to the unfolding stories of people who have lived and created in years gone by, while you stroll past an array of historic material and surreal memories, will bring a deeper dimension – the past among the present – to all the sites along the East End Echoes trail. The 12 sites can be viewed in any order and don’t require you to listen or watch all in one setting, just BYO your headphones and mobile device to listen and explore. Recordings of community members, business owners, former residents and creative people have been interwoven with performed voice and soundscape elements, into a 45 minute walking track. The creative team at illuminart have interviewed widely to capture the stories and develop the soundscapes and projection installations. The calling voices of the past will share with listeners, a sense of pride, opportunity, tragedy, loss, romance, grief, and the complex feelings about change that happens around us in the urban landscape, and an understanding of whose footsteps have echoed in this gateway. While a stunning artists-eye-view of the East End Market and its neighbours unfolds through the projection onto the Gateway, the soundscape offers a deeper emotional interaction. Many decades ago it was the site of hustle and bustle, as market gardeners trucked in their boxes of produce grown in Virginia greenhouses and further beyond, selling to the people of Adelaide well before dawn broke, which gave Rundle Street a 24 hour life cycle of market growers, businesses, community and the cultivation of creativity at all hours. One of the spectacular sites is the East End Market gateway located on the Union Street entranceway to Ebenezer lane. Uncovering the clues to kaleidoscopic arrays of vegetables, deconstructed daubist art, and firecracker fashions, takes place as you stroll along the street listening to the voices, sound and music. The project is designed to be experienced, listening to an audiovisual track created by illuminart, where you will meet many of the people who have inspired the projections that playfully transform the buildings.
![project echoes of the end project echoes of the end](https://1.bp.blogspot.com/-GI8419V_ejQ/Xd0NeOR6DhI/AAAAAAAAAEM/osYx1PEs9lUC5P_THDdWN8vNn8KhaJ1XQCNcBGAsYHQ/w1200-h630-p-k-no-nu/eotp.png)
The projections and light storytelling will illuminate 12 landmarks along the Rundle Street and adjacent laneways, each capturing aspects the interwoven histories of people who have lived and journeyed in the East End.